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Isis Aka Baby Blue It Again

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1965 song by Bob Dylan

"It'south All Over Now, Infant Bluish"
Song by Bob Dylan
from the anthology Bringing It All Back Abode
Released March 22, 1965 (1965-03-22)
Recorded January 15, 1965
Studio Columbia Recording, New York City
Genre Folk rock, folk
Length 4:12
Characterization Columbia
Songwriter(s) Bob Dylan
Producer(southward) Tom Wilson
Audio sample
  • file
  • help

"It's All Over At present, Infant Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, past Columbia Records. The song was recorded on Jan 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poesy and bid farewell to the titular "Baby Blue". There has been much speculation most the existent life identity of "Babe Blue", with possibilities including Joan Baez, David Bluish, Paul Clayton, Dylan'south folk music audience, and fifty-fifty Dylan himself.

"Information technology'due south All Over Now, Babe Blue" has been covered by a variety of artists, almost notably past Them, Baez and the Byrds. Them'southward version, released in 1966, influenced garage bands during the mid-'60s, and Beck later sampled it for his 1996 single "Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow-up single to "Mr. Tambourine Homo" and "All I Really Want to Exercise", but neither recording was released in that form. The Byrds did release a 1969 recording of the song on their Ballad of Like shooting fish in a barrel Passenger anthology.

Bob Dylan's version [edit]

Composition and recording [edit]

Bob Dylan most likely wrote "It's All Over Now, Baby Blueish" in Jan 1965.[1] The primary take of the vocal was recorded on Jan 15, 1965, during the sessions for the Bringing Information technology All Back Dwelling house album and was produced by Tom Wilson.[ii] The track was recorded on the same mean solar day Dylan recorded the other three songs on side 2 of the album: "Mr. Tambourine Man", "Gates of Eden" and "It'southward Alright Ma (I'm Only Haemorrhage)".[three] Dylan had been playing those other songs live for some time, allowing them to evolve before recording of the album commenced.[2] For "It's All Over Now, Babe Blue", however, Dylan wanted to record the song before he became too familiar with it.[2] There were at least two studio recordings prior to the one that was released on the album. Dylan recorded a solo acoustic version on January xiii, 1965 (beginning released in 2005 on The Bootleg Series Vol. 7: No Direction Home) and a semi-electric version on Jan 14.[2]

The version of the song on the anthology is sparsely bundled with Dylan accompanying himself on acoustic guitar and harmonica, with William Due east. Lee playing bass guitar.[2] Author Clinton Heylin states that the song is another of Dylan'south "'go out in the real world' songs, like "To Ramona", though less conciliatory – the tone is crueler and more demanding."[four] As well every bit being the terminal track on Bringing It All Back Home, "It's All Over Now, Infant Blue" was also the final song to be recorded for the album.[2]

Bill Janovitz of AllMusic describes the music every bit beautiful, with folk guitar chord changes and a somber melody, while the chorus, with its line "and information technology'due south all over now, Babe Blue" has a heartbreaking quality to information technology.[5] Like other Dylan songs of the period, such equally "Chimes of Freedom" and "Mr. Tambourine Man", the lyrics of "It's All Over At present, Infant Blue" bear the strong influence of Symbolist poets such as Arthur Rimbaud.[5] Lines such as "have what you lot have gathered from coincidence" reflect the I Ching philosophy that coincidence represents more than mere chance.[1] [half dozen] The song was described by Q magazine as, "The most toxic of strummed kiss-offs, with not a snowball's chance in hell of reconciliation." Dylan, later describing the vocal, said that "I had carried that song around in my head for a long time and I call up that when I was writing it, I'd remembered a Factor Vincent vocal. It had ever been one of my favorites, Baby Blueish... 'When first I met my baby/she said how do y'all practice/she looked into my eyes and said/my proper noun is Baby Blueish.' Information technology was one of the songs I used to sing dorsum in loftier school. Of course, I was singing near a different Baby Blueish."[7]

Identity of "Baby Blue" [edit]

Dylan's ii previous albums, The Times They Are A-Changin' and Some other Side of Bob Dylan both ended with a farewell song, "Restless Farewell" and "It Ain't Me, Babe" respectively.[eight] "It'due south All Over Now, Baby Bluish" concludes Bringing Information technology All Back Abode in consequent fashion.[8] Much speculation has surrounded who or what the "Baby Blue" to whom Dylan is singing goodbye is. Although Dylan himself has remained mute on the subject, Dylan scholars believe that it is probably an constructing of personalities within Dylan's social orbit. One person who has been regarded as the subject of the vocal is folk singer Joan Baez.[6] [eight] Dylan and Baez were still in a relationship and were planning to bout together, but Dylan may have already been planning to leave the relationship.[8] Some other possibility is a singer-songwriter named David Bluish.[ane] A friend or acquaintance of Dylan's from his days in New York City's Greenwich Village, Blue is pictured on the cover of Dylan and the Band's The Basement Tapes album wearing a trench coat.[5] Yet another possibility is Dylan's i-time friend, folk vocaliser Paul Clayton.[1] [two] Although Clayton had been Dylan's friend throughout 1964, and had accompanied Dylan on the road trip across the United States on which "Chimes of Freedom" and "Mr. Tambourine Human being" were written, by 1965 he may have get more devoted to Dylan than Dylan was comfy with, and Clayton'due south use of amphetamines may have made him difficult to be around.[one] [2] However, author Paul Williams, in his book Performing Creative person: Volume One 1960–1973, counters that "Dylan may have been thinking of a detail person as he wrote it, but not necessarily", adding that the song has such a natural, flowing construction to it, that information technology could "easily have finished writing itself before Dylan got around to thinking about who 'Baby Blue' was."[4]

medium shot of a woman with long dark hair on left and man playing an acoustic guitar on the right

1963 photo of Joan Baez, left, who has sometimes been regarded equally the subject of the song and also covered information technology, with Bob Dylan, who wrote the song

Another interpretation of the song is that it is directed at Dylan'south folk music audience.[9] The song was written at a fourth dimension when he was moving away from the folk protest movement musically and, as such, can be seen as a good day to his days as an acoustic guitar-playing protest singer.[5] Dylan'southward choice of performing "It's All Over At present, Infant Blueish" as his last acoustic song at the infamous Newport Folk Festival of 1965, subsequently having had his electric ready met with boos, is often used as bear witness to support this theory.[five] That particular performance of the song is included in Murray Lerner'southward film The Other Side of the Mirror.[v]

Yet another interpretation is that Dylan is directing the goodbye to himself, particularly his audio-visual performer self.[6] [eight] [nine] [10] [xi] The opening line "You must exit at present" tin can exist a command, similar to the line "Go away from my window" that opens "It Own't Me, Infant".[10] Only it can also be an imperative, pregnant but that it is necessary that you leave.[10] And the song is equally much about new beginnings as it is nearly endings.[i] The song not but notes the requirement that Babe Blue leave, but also includes the hope that Baby Blue will move forward, in lines such every bit "Strike another match, become start anew".[ane] If Dylan is singing the song to himself, then he himself would be the "vagabond who'due south rapping at your door / standing in the dress that you once wore".[10] That is, the new, electric, surrealist Dylan would be the vagabond, not yet having removed the "clothes" of the old protest vocaliser.

Alternatively, the vagabond and "stepping stones" referenced in the song have been interpreted equally Dylan's folk audience whom he needs to leave behind.[6] [8] He would also exist telling himself to "Forget the dead you've left, they volition non follow yous."[11] Others to whom he may exist saying farewell in the song are any of the women he had known, the political left or to the illusions of his youth.[11]

Finally, of course, Bob Dylan'southward own eyes were historic by Joan Baez in her memory vocal Diamonds & Rust as "bluer than robins' eggs".

Legacy [edit]

In addition to appearing on the Bringing Information technology All Back Home album, "Information technology'south All Over Now, Baby Blue" was too included on the compilation albums Bob Dylan's Greatest Hits Vol. II (1971), The Essential Bob Dylan (2000), Dylan (2007), and the U.k. version of Bob Dylan's Greatest Hits (1967).[five] Dylan played the song for Donovan in his hotel room during his May 1965 bout of England in a scene shown in the 1967 D. A. Pennebaker documentary Dont Look Dorsum.[5] [6] The first studio take of the song, recorded on January 13, 1965, was released in 2005 on The Bootleg Series Vol. 7: No Direction Home, the soundtrack to Martin Scorsese's documentary No Direction Home,[v] and over again in 2015 on the half-dozen-disc and eighteen-disc versions of The Homemade Series Vol. 12: The Cut Border 1965–1966.

Dylan's May ane, 1965, live performance of the song in Liverpool, England is included in Live 1962–1966: Rare Performances From The Copyright Collections (2018). A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly simply mistakenly known as the Royal Albert Hall concert) was released in 1985 on Dylan's box set up Biograph and subsequently included on The Homemade Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert.[12] A alive version from December 1975, recorded during the beginning Rolling Thunder Revue bout, is contained on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue (2002)[xiii] and The Rolling Thunder Revue: The 1975 Live Recordings (2019), while a June 1981 functioning appears on the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979–1981 (2017).

In November 2016, all Dylan's recorded alive performances of the song from 1966 were released in the boxed fix The 1966 Live Recordings, with the May 26, 1966, performance released separately on the album The Existent Royal Albert Hall 1966 Concert.

Equally of 2009, Dylan continued to perform the song in concert.[xiv]

In a 2005 readers' poll reported in Mojo, "It'south All Over Now, Baby Bluish" was listed every bit the number ten best best Bob Dylan song, and a similar poll of artists ranked the song number 7.[fifteen] In 2002, Uncut listed it every bit the number 11 all-time best Bob Dylan song.[16]

Covers [edit]

Them's version [edit]

"It's All Over Now, Baby Blue"
It'sAllOverNowBabyBlue-Them.jpg

1966 Dutch picture sleeve
Single by Them
from the album Them Again
B-side
  • "I'm Gonna Clothes in Black" (Holland)
  • "Bad or Good" (Federal republic of germany)
Released
  • October 1966 (1966-10) (Holland)
  • December 1973 (Deutschland)
Recorded 1965
Studio Decca Studios, London
Genre Rock, folk stone
Length 3:fifty
Label Decca
Songwriter(southward) Bob Dylan
Producer(s) Tommy Scott
Audio sample
  • file
  • help

Man wearing a grey hat and grey jacket and glasses holding a microphone near his face.

Van Morrison covered "It'south All Over Now, Baby Bluish" both equally a fellow member of Them and every bit a solo artist.

The Belfast band Them (featuring Van Morrison) recorded a comprehend of "Information technology'due south All Over Now, Baby Blue" that was start released on their album, Them Again, in January 1966 in the UK and Apr 1966 in the U.S.[17] [18] [19] The song was subsequently issued every bit a single (b/westward "I'thou Gonna Dress in Black") in the Netherlands during October 1966 merely failed to reach the Dutch Singles Chart.[20] It was later re-released in Germany in December 1973 with "Bad or Good" on the B-side, following its appearance in the 1972 German television set movie, Die Rocker (aka Rocker).[21] [22] The single became a hitting in Frg, first entering the charts in February 1974 and peaking at number 13, during a nautical chart stay of 14 weeks.[23]

Morrison recalled his first meet with Dylan'southward music in an interview in 2000: "I call back I heard [The Freewheelin' Bob Dylan] in a record shop in Smith Street. And I just thought it was just incredible that this guy's not singing nearly 'moon in June' and he's getting abroad with it... The bailiwick matter wasn't pop songs, ya know, and I idea this kind of opens the whole matter up."[24] Morrison'south record producer at the time, Bert Berns, encouraged him to find models for his songs, so he bought Dylan'due south Bringing It All Back Home anthology in March 1965.[25] One of the songs on the album held a unique fascination for Morrison and he before long started performing "Information technology'south All Over Now, Babe Blue" in small clubs and pubs as a solo creative person (without Them).[25]

Producer Tommy Scott was conscious of the importance of Dylan's music on the current pop scene and was eager for Morrison to cover "It's All Over Now, Baby Blue" during the 1965 sessions for Them's second LP.[25] [26] Afterward a failed, preliminary effort to record the rail with session pianist Phil Coulter at Regent Audio studios in London, Scott reconsidered his approach to the vocal.[26] Scott recalled in interview that "The number wasn't going down, Van wasn't sure. So the guys said he didn't fancy it and idea it was cheap because I'd tried to become later on the "Hither Comes the Night" tempo."[26] The band returned to the vocal during a later session at Decca'south recording studios.[26] Scott decided to rearrange the song'southward musical backing, incorporating a distinctive recurring blues riff and piano piece of work from Them's keyboard histrion, Peter Bardens, resulting in a finished recording that the band were satisfied with.[26] The vocal featured i of Morrison's virtually expressive vocals and included subtle changes to Dylan'south lyrics; instead of singing "Forget the dead you lot've left" Morrison alters the line to "Forget the debts you've left".[24] [26]

Greil Marcus stated in a 1969 Rolling Stone review that "Just on Dylan'southward 'It'due south All Over Now, Baby Bluish' does Van truly shatter all the limits on his special powers...Each note stands out as a special creation – 'the centuries of emotion that become into a musician's pick from i note to the next' is a phrase that describes the startling depth of this recording. Played very fast, Van's voice about fighting for command over the ring, 'Baby Blue' emerges as music that is both dramatic and terrifying."[27] In contempo years, author Clinton Heylin has noted that Them's 1966 recording of the song is "that genuine rarity, a Dylan cover to match the original."[28] After Van Morrison left the ring in 1966, Them spinoff group, The Belfast Gypsies, recorded a cover of the song on their 1967 album, Them Belfast Gypsies.[29] [thirty] [31]

Them'due south interpretation of the song, with Morrison as vocalist, became influential during the years 1966 and 1967, with several garage rock bands, including The Chocolate Watchband and The West Coast Pop Art Experimental Ring, recording versions of the song that were indebted to Them'due south cover version.[32] Beck used a sample of Them'south 1966 recording of "It'due south All Over Now, Baby Bluish" as the basis for his single "Jack-Ass", which appeared on his 1996 album, Odelay (see 1996 in music).[v] Insane Clown Posse afterwards sampled Beck's song as the basis for "Another Love Song", which appeared on their 1999 album, The Amazing Jeckel Brothers.[33] Hole'south cover of the song also uses Them's recording as a blueprint.[v] Them's original 1966 version of the song has appeared in movies, such as the 1996 film Basquiat, the 1972 High german motion picture Rocker by Klaus Lemke and the 2000 film Girl, Interrupted.[22] [34] [35] [36]

In 1993, Van Morrison included Them'southward cover of the song on his compilation album The Best of Van Morrison Book Two.[37] In addition to recording "It'due south All Over Now, Baby Blue" with Them, Morrison has covered the song oftentimes in concert throughout his solo career, beginning in 1974, but has never released a studio or alive recording of it as a solo artist.[38] In 1984, Morrison made a invitee appearance at one of Bob Dylan'south concerts in London and the ii musicians performed a duet of "It'south All Over Now, Infant Bluish".[39] Morrison and Dylan also sang a duet of "It's All Over Now, Baby Blue" at the final concert of Dylan's 1984 tour on July 8, 1984, at Slane Castle, Ireland.[forty]

In a 2009 Paste magazine readers, writers and editors poll of the fifty Best Bob Dylan Covers of All Fourth dimension, Them's version of "It's All Over At present, Babe Blue" was ranked at number 28.[41]

The Byrds' version [edit]

"It's All Over At present, Baby Blue"
Song by the Byrds
from the anthology Ballad of Easy Rider
A-side "Jesus Is Just Alright"
Released Oct 29, 1969 (1969-10-29)
Recorded July 22, 1969
Studio Columbia, Hollywood, California
Genre Folk stone, country stone
Length iv:53
Label Columbia
Songwriter(southward) Bob Dylan
Producer(due south) Terry Melcher

The Byrds' recording of "It's All Over Now, Infant Blue" get-go saw release on Oct 29, 1969, equally office of the band's Carol of Easy Rider album.[42] [43] The vocal also appeared on the B-side of the band's December 1969 unmarried, "Jesus Is Just Alright", which reached number 97 on the Billboard Hot 100 chart.[43] [44] The Byrds had previously attempted to record the song on two separate occasions, some four years before, during studio sessions for their 2d album, Turn! Plow! Plough! [45]

The Byrds initially planned to release "Information technology's All Over At present, Baby Blueish" in 1965, as a follow-upward to their previous hit Bob Dylan covers, "Mr. Tambourine Man" and "All I Really Want to Do".[46] The band's beginning attempt at recording the song was on June 28, 1965: resulting in an irreverent, garage rock fashion accept on the song.[42] [45] This version was deemed unsatisfactory and remained unreleased for 22 years, until its inclusion on the Never Earlier album in 1987.[47] The June 28, 1965, recording can besides be heard on the 1996 expanded reissue of Plow! Turn! Plough! equally well equally on The Byrds and There Is a Flavor box sets.[45] [48] [49]

The band attempted a second recording of the song during Baronial 1965.[45] A plan managing director from KRLA, who was present at the recording sessions, was impressed enough to play an acetate disc of the track on air, plugging it as The Byrds' new single.[46] However, The Byrds soon abandoned the thought of releasing "It's All Over Now, Babe Bluish" every bit their third single and instead issued the vocal "Plow! Turn! Plow!".[47] [50] The Byrds' Baronial 1965 version of "It'southward All Over At present, Baby Bluish" has never been released.[45]

Guitarist and band leader, Roger McGuinn, returned to the limerick during a July 22, 1969, recording session for the band'south Carol of Piece of cake Rider album.[51] McGuinn decided to irksome downwardly the tempo and radically alter the song's arrangement to fashion a more somber and serious version than those recorded in 1965.[42] In tandem with the slower tempo, the band dragged the syllables of each word out to emphasize the world-weariness of the song'due south lyric.[46] Ultimately, McGuinn was dissatisfied with the recording of the song included on Ballad of Easy Rider, feeling that it tended to drag within the context of the album.[46] In addition to appearing on Ballad of Easy Passenger, the Byrds' 1969 recording of "Information technology's All Over Now, Baby Blue" can also be establish on the compilation albums The Byrds Play Dylan and The Very Best of The Byrds.[52]

Other covers [edit]

Many other artists have covered the song. Joan Baez, who has sometimes been speculated to be the subject of the song, covered it on her 1965 album Farewell, Angelina.[53] Information technology is one of four Dylan covers on that album, the others being the title rails, "Mama, You Been on My Heed" (recorded every bit "Daddy, You Been on My Listen"), and "A Hard Rain'south a-Gonna Fall".[53] Baez sings "It's All Over Now, Baby Blue" in a falsetto vox, but retains the power of Dylan's version.[53] Baez has continued to perform the song at live concerts well into the mod era.[54]

George Harrison, who performed with Dylan in the Traveling Wilburys and likewise co-wrote the vocal "I'd Have Y'all Anytime" with Dylan in November 1968,[two] did not encompass the song, but did reference the championship in his 1987 single, "When Nosotros Was Fab". One of the lyrics in the song reads "Only it's all over at present, infant bluish", which is a nod from Harrison to his friend Dylan.[55]

The song was a source of inspiration for Joyce Carol Oates' brusque story "Where Are You Going, Where Have You Been?", prompting her to dedicate the story to Dylan.[56]

References [edit]

  1. ^ a b c d e f g Trager, O. (2004). Keys to the Rain. Billboard Books. pp. 319–321. ISBN0-8230-7974-0.
  2. ^ a b c d east f g h i Heylin, Clinton (1991). Bob Dylan: Behind The Shades – The Biography. Viking Penguin. ISBN0-670-83602-8.
  3. ^ Heylin, C. (2009). Revolution in the Air. Chicago Review Printing. pp. 227–228. ISBN978-1-55652-843-nine.
  4. ^ a b Williams, P. (2004). Bob Dylan: Performing Artist, 1960–1973 (2nd ed.). Coach Press. p. 138. ISBN978-one-84449-095-0.
  5. ^ a b c d e f 1000 h i j k "Information technology'southward All Over Now, Babe Blue review". AllMusic . Retrieved July 23, 2009.
  6. ^ a b c d e Gill, A. (1998). Don't Recollect Twice, It's All Correct. Thunder's Mouth Press. p. 77. ISBNi-56025-185-9.
  7. ^ Barolast, N. "n.B.uTHEMEN Baby Blue". n-b-u.de. Archived from the original on July nineteen, 2011. Retrieved December 7, 2009.
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  18. ^ Dewitt, H. A. (1983). Van Morrison: The Mystic's Music. Horizon. p. 66. ISBN0-938840-02-9.
  19. ^ Rogan, J. (2006). Van Morrison: No Surrender. Random House. p. 608. ISBN0-09-943183-ane.
  20. ^ "It's All Over At present, Baby Blueish - Dutch Single". Dutch Charts. Retrieved Dec 6, 2009.
  21. ^ "Information technology's All Over Now, Baby Blue – German Single". Vanomatic.de. Archived from the original on July 26, 2011. Retrieved December 29, 2009.
  22. ^ a b "Soundtracks for Rocker". IMDb . Retrieved December 2, 2009.
  23. ^ "It's All Over Now, Infant Blue – German language Chart Data". Musicline.de. Archived from the original on September 29, 2012. Retrieved January 16, 2010.
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  25. ^ a b c DeWitt, H. A. (1983). Van Morrison: The Mystic's Music. Horizon. pp. 16–17. ISBN0-938840-02-ix.
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  28. ^ Heylin, C. (2003). Tin You Feel the Silence?: Van Morrison: A New Biography . Chicago Review Press. pp. 116–117. ISBN1-55652-517-6.
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  31. ^ "Them Belfast Gypsies". AllMusic . Retrieved December 2, 2009.
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  33. ^ "Fierce J of Insane Clown Posse". The A.V. Society . Retrieved August fourteen, 2011.
  34. ^ "Soundtracks for Basquiat". IMDb . Retrieved December 2, 2009.
  35. ^ "Soundtracks for Girl, Interrupted". IMDb . Retrieved Dec 2, 2009.
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  37. ^ Erlewine, Stephen Thomas. "The All-time of Van Morrison, Vol ii". AllMusic . Retrieved May viii, 2010.
  38. ^ Becker, G. "Van Morrison – Information technology's All Over Now, Babe Bluish anthology appearances". vanomatic.de. Archived from the original on January 1, 2010. Retrieved September twenty, 2009.
  39. ^ Byrne, J.P.; Coleman, P.; Rex, J. (2008). Ireland and the Americas: Culture, Politics, and History – Volume i. ABC-CLIO. p. 617. ISBN978-1-85109-614-v.
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  41. ^ "Paste Magazine'south 50 Best Bob Dylan Covers of All Time". Paste . Retrieved Dec 29, 2009.
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  44. ^ Hjort, C. (2008). So Yous Want To Be A Rock 'n' Roll Star: The Byrds Day-Past-Day (1965–1973). Jawbone Press. p. 229. ISBN978-ane-906002-xv-two.
  45. ^ a b c d e Rogan, J. (1998). The Byrds: Timeless Flight Revisited (2nd ed.). Rogan House. p. 619. ISBN0-9529540-1-X.
  46. ^ a b c d Rogan, J. (1998). The Byrds: Timeless Flight Revisited (second ed.). Rogan House. p. 301. ISBN0-9529540-1-X.
  47. ^ a b Hyde, B. (1989). Never Before (1989 CD liner notes).
  48. ^ Irwin, B. (1990). The Byrds (1990 CD box set liner notes).
  49. ^ Irwin, B. (2006). There Is a Season (2006 CD box set liner notes).
  50. ^ Rogan, J. (1998). The Byrds: Timeless Flight Revisited (2d ed.). Rogan House. pp. 127–128. ISBN0-9529540-1-X.
  51. ^ Hjort, C. (2008). So You Want To Be A Rock 'n' Scroll Star: The Byrds Day-By-Day (1965–1973). Jawbone Press. p. 216. ISBN978-one-906002-15-ii.
  52. ^ "It's All Over Now, Baby Blue – Byrds' Version". AllMusic . Retrieved July 22, 2009.
  53. ^ a b c "Farewell, Angelina". AllMusic . Retrieved July 23, 2009.
  54. ^ "Joan Baez U.S. Autumn Tour 2005 Written report". www.joanbaez.com. Archived from the original on February 17, 2012. Retrieved July 24, 2009.
  55. ^ "Five Cases Of Plagiarism Involving George Harrison". Dancing About Architecture. Archived from the original on October 25, 2008. Retrieved July 24, 2009.
  56. ^ Oates, J.C.; Showalter, E. (1994). "Introduction". Where Are Y'all Going, Where Have You Been. Rutgers Academy Press. p. 9. ISBN0-8135-2135-1.

External links [edit]

  • Lyrics: Information technology's All Over Now, Baby Blueish
  • Janovitz B., It's All over Now, Baby Blueish (vocal entry) at AMG

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Source: https://en.wikipedia.org/wiki/It%27s_All_Over_Now,_Baby_Blue

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